Common Kestrel / Torenvalk / Turmfalke / Faucon crécerelle / Falco tinnunculus
03 August 2026
Common Kestrel / Torenvalk / Turmfalke / Faucon crécerelle / Falco tinnunculus
23 July 2026
This proof shows exactly what still needed solving and where. But, the essentials were in place. It’s exactly through those small mistakes that a special image came off the press.
Sometimes, during the search for the exact design that can be produced in an edition, a unique print emerges that deserves to be seen as well.
30 June 2026
Bird Bricks, an exhibition of art with birds and LEGO will open on Thursday July 2. On show will by bird models and photographs by Bram “skabram.builds” Wickel and fifty and some bird prints by yours truly.
Bram builds very realistic looking birds with LEGO bricks, really spot on. Then he puts these models into their natural habitat and photographs them, with exciting images as result.
It will be only the second time so far that all prints from my 50 birds series will be on show. Het is pas de tweede keer dat mijn 50 vogels serie in z’n geheel tentoongesteld wordt. There is something to learn about what is special about that bird species with every print. Additionally, later prints such as the Kestrel, Bearded Tit, and Bluethroat are also on display.
The opening, with the one and only Katinka Polderman is this Thursday from 3pm. You are very welcome to join us!
08 June 2026
First time I spotted it was in the Schoorl dunes, where it fluttered from post to post along the bike path. And shortly thereafter, indeed, saw one during a walk in the backyard, on a sandy patch of the Westerheide.
Besides shape and color, the bird’s posture is an important part of conveying the creature’s character. This wheatear often stands high on its legs. Alert and upright, it scans the surroundings for the next insect to run after.
The Northern Wheatear is not doing great in The Netherlands.
I printed this Wheatear in 2021.
05 May 2026
Drop by at my stand this weekend and you can take one of these handprinted little greeting cards for your best mother in the whole world. Hope to see you at the Spring Art Fair in the Johanneskerk in Laren. Of course there will be all kinds of beautiful art presents to see and available to buy.
Hope to see you there!
25 April 2026

The grumpiest waterfowl on every canal and pond.
Territorially very intolerant with a fiery red eye. Not interested in building a nest. The one on our neighbourhood pond was probably deaf, too. The nest was built right next to the fountain’s nozzle. The constant clatter of the falling water apparently didn’t interest them one bit.
And such sweet little chicks, eh? Would the red on their little heads be the same as the red in the eye of the adult coot?
Technically speaking, this print is a textbook example of ‘white is the hardest color’. The paper already is white, so that white forehead and beak would blend right in with the light color of the paper. That’s why this coot is looking back, so that the white parts would contrast against the black plumage.
Another characteristic is, of course, those very long, lobed toes. Here too, I had to find a solution to show two legs without getting bogged down in a tangle of toes, or making it look like it was roller skating.
23 April 2026
What does it mean to do creative work, when many of the parameters for the work are, by design, as yet undefined?
One useful approach is to timebox the work. Allow for around two and a half hours of dedicated work on The Thing. You’ll often need at least an hour just to activate enough of the necessary ingredients before you can start cooking.
When I’m making prints that means it takes a good hour for there to be ink on a large enough number of printable elements that allow for interesting combinations to emerge.
Then from that point on there’s another hour or so of energy and attention available in which the new thing may happen, the work can be teased to the surface.
Go on longer and mistakes of the kind you don’t want will start to happen, possibly ruining that piece that was quite good already.
A session is two and a half hours long, and that takes about three hours. Work through that first hour to activate the materials and ideas, then go with the flow for another hour or so. Then wrap up.
The unit of creative work is a session.
21 April 2026
European Herring Gull number fifteen is about to fly out. Only five remaining. Bonne voyage!
21 April 2026
Operational. Maybe not quite finished yet, but operational. Compare this with two weeks ago.
Saturday 30 May will be open house at VONK 3. You’re invited to drop by and check the state of things in real life!
20 April 2026
Look at it, studiously not watching you :)
Every print in the 50 Birds series comes mounted in a 24 x 30 cm matte. This is a standard size for frames so you can find the exact right one.
Here you see it framed in a brushed aluminium frame with non-reflective glass. Once I had seen the difference between regular glass and this type of museum glass, there was no way back. It is so much easier on the eyes. Makes all the difference in actually being able to see and enjoy the work it protects.
I’ll go into a bit more detail about the origins and process for this print. Subscribe here to get that delivered to your inbox: https://blog.royscholten.nl/newsletter/